Jamila Woods surrounds herself with the things she loves, things like Lucille Clifton’s poetry or letters from her grandmother or the late 80s post-punk of The Cure. “It’s just powerful to me to know the lineage and influences going into the making of the song,” Jamila says. That lineage–fragments of her life and loves–helped structure the progressive, delicate and minimalist soul of HEAVN, her debut solo album released in the summer of 2016. “It’s like a collage process,” she says. “It’s very enjoyable to me to take something I love and mold it into something new.”
A frequent guest vocalist in the hip-hop, jazz and soul world, Jamila has emerged as a once-in-a-generation voice on her soul-stirring debut. Hailed by Pitchfork as, “a singular mix of clear-eyed optimism and Black girl magic,” HEAVN is the culmination of more than two decades’ worth of musical performances, creative remixing, haunted memories and her unique “collage” writing process. “I think of songs as physical spaces,” Jamila says. “Writing a song feels like decorating my space with things that make me happy or reflect who I am.”
The message of HEAVN, the album, and Jamila, the musician and poet, are clear: all parts strengthen the whole. Born and raised on the Southside of Chicago, Woods grew up in a family of music lovers. She was a member of her grandmother’s church choir as well as the Chicago Children’s Choir and often sat next to her parents’ speakers, singing along to their sizeable music collection while surrounding herself with things she admired.
<a href=”http://jamilawoodsmusic.bandcamp/album/heavn”>HEAVN by Jamila Woods</a>