LP version. Dens concludes a trilogy of albums, aptly spelling out the last third of the group’s name. And true to form, the band turns inwards rather than outwards, drawing on deep shades of ambient, slowcore, and the ghost of Mark Hollis. While maintaining their psychedelic edge, the trio weaves the lines between genres in a way that’s becoming a signature of its own. Never in a hurry, but always moving somewhere. Causa Sui drummer Jakob Skøtt and Martin Rude‘s bass and baritone guitar lay out a robust yet fleeting foundation. Papir‘s Nicklas Sørensen‘s glistening guitar lines never felt more-free and explorative. While The Durutti Column tribute “Vini’s Lament” is drenched in nostalgia, a cut like “Morgensol” (Morning Sun in Danish) explodes in Popol Vuh-esque gloomy euphoria. Engineered by Jonas Munk and produced by Jakob Skøtt, the album culls hours of free improvisation into a coherent size. Seamless edits and studio wizardry enhance the feeling of an almost narrative nature as the album progresses. Invoking anything from a crackling campfire, rattling bones, and the singing of sand dunes. The culmination lies in the 14-minute track “Sienita.” A fully formed blistering improvisation, abandoning any studio trickery, besides a singly dubbed organ, rising and falling like the tide.