So many bands gambled and lost in the major label game that flourished in the wake of Nirvana. For every Soundgarden, every Sonic Youth, there was a Jawbreaker, a Seaweed, a Melvins. Massachusetts ever- evolving big-riffing cosmonauts Cave In were wise enough to weigh their options carefully, but when RCA offered them a deal they couldnt refuse, they signed the dotted line and crafted their stargazing opus Antennae. Critics cheered. But many fans that journeyed with the band from their emotive hardcore roots, through their Radiohead-meets- Slayer cross-pollinations, and on to their bottom-heavy space rock couldnt follow the band to their foray into the world of major label rock. Never mind that Antennae was still a bold creative step forwardonly a tone-deaf rock outsider would find the dense layers of interweaving guitars and off-kilter melodies as an attempt at radio-friendly pop. But like so many aspirational artists who make the leap to the majors, Cave In quickly found themselves on the losing end of label restructuring, and they were promptly dropped. Perfect Pitch Black was Cave Ins return to Hydra Head Records. One could argue that it should have been the bands offering to the broader audiences offered up by RCA, not because its necessarily a better record, but because it taps into both the malevolent riffage of early records like Until Your Heart Stops and the sophisticated songwriting the band had increasingly incorporated since their Creative Eclipses EP. But not only was Perfect Pitch Black a reminder of the bands roots, it also captured a band that was still interested in exploring and more than capable of conquering. Songs like The World Is In The Way and Paranormal are a perfect combination of erudite indie rock and troglodyte sludge. Where Antennae relied on walls of saturated chords, Perfect Pitch Black allowed the individual instrumental acumen to shine, as is evident on songs like Off To Ruin and Ataraxia. Beyond the bands overall development, Perfect Pitch Black is an interesting document of the individual members personal evolution. Guitarist/vocalist Steve Brodsky hints at both the solo material hed begun to pursue on Down the Drain and the audacious metal of his future project Mutoid Man with the monsterous rock shuffle of Trepanning. Caleb Scofields bass takes on the prominent role hed later incorporate into Zozobra on the low-end- mongering Droned. Guitarist Adam McGrath and drummer J.R. Conners hint at the proto- grunge bombast theyd later employ in Nomad Stones on songs like Screaming In Your Sleep. As much as Perfect Pitch Black was touted as a return to form for Cave In, hindsight views the album as both excitingly complex and engagingly refreshing. Yes, the metal attributes had returned, but the band was exploring a multitude of new sounds as well. And furthermore, the album is perhaps the most fitting nexus of the stylistic forays taken by the individual members over the years. Hydra Head Records is proud to re- introduce this record with a vinyl reissue in late 2017.
Cave In – Perfect Pitch Black LP + 7″ Hydra Head Records
$ 24,98 Original price was: $ 24,98.$ 14,99Current price is: $ 14,99.
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