**Ltd Cloudy Blue Vinyl (100 copies pressed)
West African rhythms collide with just intonation guitars, art-fire saxophone, minimalist grooves, and collaged zapdowns on Interventions, the powerful third full-length from Baltimore’s Horse Lords. The band’s Northern Spy debut is also the first Horse Lords album to explore the classic studio-as-weaponry strategies of yore, mapping the quartet’s raw Baltimore lightning onto the experimental musique concrète territory surveyed by elder heads like Faust and This Heat.
Founded at the turn o’ the ‘teens by Andrew Bernstein (saxophone/percussion), Max Eilbacher (bass/electronics), Owen Gardner (guitar), and Sam Haberman (drums), Horse Lords quickly established themselves as avant-heavies with the two extended tracks of their powerful self-titled debut (Ehse Records, 2012). Playing custom electric guitars and basses refretted by Gardner, the band’s rolling polyrhythms chime with the strange and distinct harmonies of just intonation inspired by the master La Monte Young and other heroes. Where the earliest Horse Lords releases, also including Hidden Cities (NNA Tapes, 2014) concentrated on linear performance, a trio of Mixtape cassettes (self-released, 2012-2014) pointed the way towards the newest turn in the Horse Lords saga.
Chopped and screwed and stomped and smothered and dissolving to bells and then suddenly (as if through a flung-open door) back into some room where Horse Lords is playing at full flight, the three Mixtapes exploded the possibilities of the quartet. Changing contexts like flipping channels on a dadaistic cable box, the series found a whole expanded universe of Horse Lords there for the squonking. Realizing that promise, Interventions is (as they say) a new phase Horse Lords album with Bernstein’s saxophone and the microtonal guitars pinging through the stereo mix with single-minded purpose.